How long is orphan movie

Corona Column 3 Use these free activities to help kids explore our planet, learn about global challenges, think of solutions, and take action. Bad Seed-style horror movie is gory and ludicrous. R minutes. Rate movie. Watch or buy. Based on 28 reviews. Based on reviews. Get it now Searching for streaming and purchasing options Common Sense is a nonprofit organization. Your purchase helps us remain independent and ad-free. Get it now on Searching for streaming and purchasing options X of Y Official trailer.

Did we miss something on diversity? Suggest an update Orphan. Your privacy is important to us. We won't share this comment without your permission. If you chose to provide an email address, it will only be used to contact you about your comment. See our privacy policy. A lot or a little? The parents' guide to what's in this movie. Positive Messages. Positive Role Models. What parents need to know Parents need to know that Orphan is a gory horror movie centers on extremely violent, sexual acts carried out by a 9-year-old girl.

Continue reading Show less. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. User Reviews Parents say Kids say. Adult Written by bobbyharrison December 1, I and my daughters watch this movie all the time, they real Continue reading. Report this review. Adult Written by Carlos Q December 7, This movie leaves you hanging in the edge of your seat Although there is some nudity and sexual stuff in the film none of it is really graphic The language isn Teen, 14 years old Written by Ann4z April 11, Really good film, some graphic scenes.

I watched this at 10 and nothing really disturbed me. Note: In an alternate ending on the DVD, Esther didn't die but walked out of the house dressed again as a young girl, as the police went in to hunt for a criminal. Quinoa 3 August Orphan opens with one of those truly mortifying scenes that can actually go beyond typical horror into something else, that visceral terror that comes with a catastrophic event. This being the death of a baby, as Kate Coleman Vera Farmiga is about to give birth, sees blood under her gown waiting in the hospital, and is told her child has died before even giving birth.

Then it gets more and more disturbing: her husband John is filming this devastating scene with his camcorder, and he presents the dead baby to her as she's sobbing in tears. It's safe to say this and The Descent's opening scene are top them all when it comes to the worst scenes that involve personal, familial horror with children in the most gratifying way imaginable, if that make sense, when it comes to filming it.

And then the rest of the plot unfolds While early on we get a moving scene with Kate and her little girl Max and how she reads to her at night even though she's deaf, and we get the sense this will be well acted, then comes a scene that turns everything else that will happen in the movie. Esther, from the moment she appears on screen, has not a shred of subtlety about her, nor in Isabelle Fuhrman's performance. You know from her oh-so sweet little speech to her soon-to-be stepfather that this is just trouble.

A big part of it, I think, is that her character is European thought to be Russian for at least most of the movie and so she's like Natasha Fatale in miniature form and pigtails. To say she's unbelievable is an understatement, even if once or twice among the DOZENS of times she's hiding behind a corner or behind a door listening it gets creepy. But boy oh boy is this movie silly.

You get sucked into the story, and it's entertaining, but it's also ultimately about as substantial as a daytime soap opera with the big TWIST so preposterous that you'll be laughing about it long after the movie ends not to mention a few questions about, you know, the difference between little girls and adult women. They aren't anything to laugh at, at least too much, but it's the script that wears it down, those situations and scenes where Esther ratchets up her evil-bitch-meter or kills another hapless person who may "rat" on her.

It ends up being a great audience movie, but also so stupid and without much worth or for anything we've heard i. Excellent film dealing with a dwarf who passes herself off as a 9 year old. If that isn't enough, she is criminally insane and utterly wreaks havoc on those who take her in. Miss Fuhrman is excellent as the supposed 9 year old. As Esther, she can be charming, polite and well-mannered. Watch her develop into an absolute monster as the film progresses. She is so manipulative.

The part I really liked was where the psychiatrist was totally taken in by this person. She actually blames the adopted mother for what is going on. The film highlights how out-of-country adoptions can be so very dangerous. The family is caught in a vicious web. This person will do whatever is necessary, no matter how bad it is, to attain her goals. BandSAboutMovies 17 December He started his directing career with the remake of House of Wax and this was his third film.

Orphan was written by David Leslie Johnson-McGoldrick, who started his career as Frank Darabont's assistant before writing films for James Wan like The Conjuring 2 and Aquaman as well as the upcoming sequels to those films.

They decide to adopt a nine-year-old Russian child named Esther Isabelle Fuhrman who their five-year-old deaf and mute daughter Max Aryana Engineer, Resident Evil: Retribution falls in love with immediately. Esther immediately freaks out any viewer of this film, whether it's her randomly showing up when her parents are aardvarking or killing pigeons at school or beating other children into oblivion. Oh yeah - she also murks CCH Pounder with a hammer and shoves her into a ditch before hiding the murder weapon in her adopted brother's treehouse.

That little orphan is the master of gaslighting, taking flowers off a dead child's grave, cutting brake lines and breaking her own arm to get her new mother in trouble for abuse.

She even makes it look like Kate is drinking again, causing a potential divorce. Karel Roden, who was Rasputin in Hellboy, also is in here as a Russian doctor who helps the family expose the big secret behind all of this mania. I'd rather not give it all away, but it's a pretty audacious reveal, taking this from a cover version of The Bad Seed and into even more ridiculous territory.

There's a nice bit of writing in here as Esther is adopted from an orphanage called the Saint Mariana's Home for Girls. In the Catholic faith, Saint Mariana of Quito is the patron saint for those rejected by religious orders and orphans.

Ironically, ten years after this movie was released, this movie went from fiction into reality. Famous parenting author and motivational speaker Kristine Barnett and her ex-husband Michael were charged with the neglect of their year-old daughter Natalia. The couple had left her to fend for herself in their apartment, but Kristine soon revealed that her daughter - who she adopted from the Ukraine - was actually a twenty-two-year-old woman who was planning to kill them both.

The full story is insane and you can read it on Elle's website. Coventry 25 April Each year I try to attend a couple of Film Festivals in the hope to stumble upon obscure, international and experimental genre movies that normally don't reach wide audiences, but the absolute best film I watched at this year's edition of the Brussels International Festival of Fantastic Film was this relatively "mainstream" horror effort. Evil, murderous children still somewhat form the last taboo in the horror industry, especially if there isn't a straightforward explanation for their malignant behavior, but more than once they guaranteed nail-biting suspense and genuine scares already.

The not always happily married couple John and Kate Coleman want to compensate the loss of their third stillborn baby by adopting a child from Sister Abigail's orphanage. They promptly fall in love with the 9-year-old Esther, an incredibly polite and eloquent girl with a somewhat peculiar dressing style and Russian roots.

Esther quickly sows fear and terror in school and around the playground, but the other children are too petrified to betray her. When Kate also accuses Esther of being a demonic child, her husband and therapist blame it on her alcoholic background and hallucinations. Meanwhile Esther's vile acts become increasingly horrific and more diabolical.

Quite the contrary, they even work! You know there will come a scene in which Esther is standing quietly in the bedroom staring at her little unsuspecting sleeping sister, but when the scene finally comes it still sends cold shivers down your spine. You also know that it won't be easy to defeat Esther in the finale, but still you jump up in your seat with fear every time she pops up again.

That is called genuine suspense, and it works so effectively because we truly care for the good characters and gradually build up an aversion towards the despicable child Esther. The script patiently — the film lasts minutes which is quite long for a horror film — takes its time to draw a detailed image of the Coleman family situation, which makes it practically impossible not to cheer for them.

During the last half hour, when you assume Esther already unleashed all of her demons, the story still holds a couple of shocking twists in store regarding her personality and background. Peter Sarsgaard and Vera Farmiga are excellent as the struggling couple, but the most remarkable performances come from the youthful actresses Aryana Engineer as the adorable little sister Maxine and of course Isabelle Fuhrman as Esther.

Just have one look at the film's poster image and you'll know exactly what I mean. Great film, highly recommended to ALL horror-loving audiences. Too disturbing for me to watch Gordon 20 December This film is about a young charming girl who got adopted by a family of four. However, the girl turns out to be a lot less charming than she looks. I felt so disturbed after watching 70 minutes that I could not watch it anymore. The plot may be simple, but the delivery of it is definitely hauntingly effective.

It leaves me unsettled and deeply disturbed. I also feel unhappy as the story may put people off adoption, hence robbing innocent and needy children's chance of having a loving family. In short, I wish I could undo watching even just the 70 minutes I watched, because it disturbed me too much.

Plenty of suspense and anxiety to keep you wiggling in your seat. Wishes of a home sweet home go to the wayside, when Kate Coleman Vera Farmigo and husband John Peter Sarsgaard , who recently lost a baby due to miscarriage, decide to adopt. Ready or not the couple visit an orphanage, where they meet Esther Isabelle Fuhrman , a dark haired, dark eyed mature nine-year-old.

The adoption seems to be a fresh start for all; except for the other two Coleman children. Not long after bringing Esther home, a series of accidents at home and school lead Kate to believing that her new daughter is not as innocent as she seems. John doesn't see the young girl's wicked side and loses confidence in his wife.

No one really knows the truth about Esther's past The snowy winter weather and demure creepy music blend into the anxious atmosphere. You can feel the simmering fear and the few scenes of real violence are definitely graphic. Miss Fuhram is an outstanding young actress. In this role she is mesmerizing. She appears to have the tools already for a very interesting career. Yes, some images are disturbing and the language is coarse; but still I recommended highly.

Well directed, acted and written--one of the best recent horror films Doylenf 28 July She's adorable and becomes a pawn in the manipulations of Esther Fuhrman , the orphan adopted into the household before a background check can reveal the truth about her past.

Of course, anyone familiar with the pattern of most horror films of this ilk can spot some of the usual set-ups: a husband who is clueless about seriously suspecting the orphan can be evil, the wife whom nobody believes because she has a drinking problem, the little brother who resents the intrusion of a "different" kind of girl, the well meaning nun whose social worker instincts will lead to her downfall.

But many other aspects of the plot come as a surprise and are, to say the least, unexpected and shockingly gruesome. And some threads of the plot can be suspected pretty early on.

Still, the final twist at the end is shocking and satisfying, thanks to the performance Fuhrman has so convincingly given. She plays the role with such sweet and sometimes sinister maturity that the final revelation is acceptable. ORPHAN delivers the chills, all staged brilliantly and turning it into a horror film that is just as chilly as the ever snowy weather with frozen ponds and feathery flakes making the indoor sets of a rustic cabin look most inviting.

Good direction and superior art decoration, as well as strong performances, makes this an above average thriller. They already have two other kids--a younger girl named Max Aryana Engineer and an older boy named Daniel Jimmy Bennett. We slowly TOO slowly discover that there's something wrong with Esther and it leads to horror and murder. It's also uncomfortable to watch with children always being threatened or possibly killed. In one particularly idiotic oversight one kid's fate is left hanging in the air at the end of the movie!

I should mention that it's not a blood and guts horror film except for one VERY bloody stabbing but, at the end, it turns into a boring, by the numbers stalking where the killer keeps coming back again and again and again. Also the explanation about Esther at the end doesn't really make much sense but it IS original. On the plus side the acting is good especially by Farmiga and Fuhrman.

Only Sarsgaard disappoints but that's because the script makes his character seem like a total idiot! So--it has its moments but is very disturbing to watch at times and just drags on. Shot in snow covered locations Orphan looks pretty nice, the Blue-ray suggests that the colours were muted in post but otherwise it looks nice enough. Filmed in Ontario in Canada although set in the US the production values are nice. A real exploitative treat with a twisted story that is it's biggest asset.

A family that is still living in the shadow of the tragedy of a miscarriage decides to adopt an older child. They decided to adopt Ester, a girl who seems much more mature than the rest. However once she settles into house, it rapidly becomes clear that all is not right with the little girl. Well made horror film with a couple of problems that I think keep this film from being great. This is a film that has the look and feel of "bad seed" sort of films down.

It hits all the right buttons in just the right way so as to make the tension grow and the skin crawl. The film is a perfect sort of guilty pleasure film.

As I said earlier the film has a couple of problems that kind of wound the film. First off the film is too long at just over two hours. More than a couple of times I looked at my watch and wondered how much longer this was going to go on. Its not that what I was seeing was bad, its just that it has a couple of sequences that seemed to go on past the point of optimum effect.

The other problem for me is that the film has some plot holes that you can drive a truck through. I'm not talking about the infamous twist which has been a make or break for some people, I'm talking about other things, like no one really checking Ester's background until its way too late. There are a few others including questions as a result of said twist that kind of made me go "wah?

I suppose the suspension of belief is whats required for any film like this, but this one really pushes the limit and the audiences good graces. Perhaps if the film had moved faster I wouldn't have had time to reflect and pull the film apart Reservations aside this is a good little film.

I don't think its the be all and end all but it is the sort of film thats perfect for curling up on the couch with on a rainy Saturday night. Between 6 and 7 out of 10 Re the twist: It worked for me. I can see how it might not for other people, but at the same time its something that raises a hell of a lot more questions then it answers. You cannot say a lot about "Orphan" without spoiling the ending.

This "Bad Seed" melodrama about a cute little girl who qualifies as a couple's worst nightmare lives up to its R-rating with murder either by knife or pillow. Of course, the language is profane and offensive more than a couple of times. Spanish-born American film director Jaume Collet-Serra makes up for his uninspired remake of "House of Wax" with "Orphan," an articulate mystery thriller with a shrewdly written screenplay by newcomer David Johnson based on an Alex Mace story.

Nothing that Collet-Serra and his scenarists do can prepare you for the last quarter-hour revelation that not only spins "Orphan" on its head but will also spin your head on its axis. Indeed, "Orphan" opens like a formulaic chiller about the mistakes that come with adopting children, especially if the adolescent is the spawn of Satan.

A young, upscale married couple that should have been content with a boy and a hearing impaired daughter decide to compensate for the tragic death of their third child he died stillborn and adopt a needy child. The wife just wants to spread the love that she had for their third child.

It was that it was also sleazy, formulaic and repellant. Although the film received mixed reviews, Isabelle Fuhrman's performance was acclaimed and positively received.

Emanuel Levy said about Fuhrman "Acquitted herself with a strong performance, affecting a rather convincing Russian accent and executing sheer evil with an admirable degree of calm and earnestness.

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