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See more polls ». Won 1 Oscar. See more awards ». Known For. Scrooged Soundtrack. Dracula Soundtrack. A Private War Thanks. Show all Hide all Show by Hide Show Actress 78 credits. Video short Annie Lennox. Sands segment "The Room". Video short Nightclub Singer. Hide Show Composer 27 credits. Alban: Sweet Dreams Video short. Video short. Hide Show Music department 5 credits. Hide Show Soundtrack credits. Lorraine TV Series performer - 1 episode, writer - 1 episode, - Episode dated 11 May Twoja twarz brzmi znajomo TV Series lyrics - 1 episode, music - 1 episode, - Episode 8.

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With Marcquet seemingly on the bubble now, Serge needs to bring it here to help the judges forget he's been in the Bottom Three for two out of three weeks so far. It's a beautiful routine, full of emotion and lovely, interesting connections between the two dancers.

It might be because I feel like I'm on contemporary overload, but while there is absolutely nothing wrong with this routine, and they are both performing it quite well, I'm bored. I'm sorry. I just feel very been there-done that, watching this. Unfair, perhaps … but there it is. Serge performed quite well, as well as anyone could in this routine, and he partners her beautifully. It might save him, given Marcquet's less-than-stellar turn. I do think he's performing better, overall, so I'd go for that.

I do find myself wondering if Serge's excessive sweating turns off some voters. He obviously has no control over that, but it's not all that attractive, no matter how beautifully he dances.

I feel bad for that and wish there was a solution for him. I'm sure he does, too. Carly comes off somewhat forgettable here, in that she could be interchangeable with Bridget or Emily and I don't think we'd really remember who danced this, just that she looked really pretty doing it. Judges: Nigel has praise for both and comments on Serge's growth from week to week. Marcquet, honey? Not lookin' good. They get Oksana and Jonathan as choreographers who, if I knew who they were before, I've forgotten.

All I can say watching the rehearsal footage is, yikes squared. That looks beyond ridiculously hard. I'm glad neither of them is in jeopardy. Let's hope that holds true for next week, too.

They have great chemistry, and I think they might need it! Well … it's exuberant. I'll give them that. They are both clearly worried, despite the pasted grins on their faces. Emily has a little slip in the beginning, and though she recovers really well, it doesn't help with the nerves. Teddy's body is giving it his all, but you can see his mind all but whirring as he counts the moments before he has to do another lift, and they're all a little nuts, so … like I said … they are throwing themselves at this, and it looks a little thrown.

They are sort of coast-dancing through the movements, worrying about the tricks, so the sharpness is all gone. He didn't drop her. So there's that. That said, I don't know that they could have done much better with what they were given, given what they know. Possible danger zone next week. Just sayin'. Judges: The general consensus was: Yeah, you're way out of your style, but … good try!

Nigel also gives us the insight that on top of the crazy hard routine that they know not how to do at all, Emily apparently dislocated her shoulder just that afternoon. And that? Well, first, ouch! But not only does it explain a lot about their heightened nerves showing, it explains why they had the nerves to that degree in the first place. You can decide if that excuses the dance or not, voting wise, but kudos to them both for going on with the show.

I'm just glad she's OK! They get Sonya Tayeh, so that's good news for Zack. I liked these two last week and think it's weird that she's in and he's not. I hope he's safe tonight.

Sorry, Marcquet! Of course, Sonya's jazz routines are more or less contemporary with a jazz feel, so I hope he can pull it off. It starts off and, well, well, well … Zack is all sinewy, powerful maleness. Who knew? Nicely done there, tap guy! Jacque has a rather unfortunate outfit on, especially given the more outstanding costuming done for her fellow female contestants tonight, and the blah, ragtag pink number does little to help enliven her portion of this piece. What is with all the incessantly dark mood lighting for every single piece?

Give us the light! Maybe that is part of my contemporary yeah, yeah, it's jazz, but come on … ennui. Jacque performs really well, but my attention stays on Zack. He took this part and wrung it right out. The partner work was really demanding, and he totally rose to that occasion and then some.

Good on him! I hope he gets the votes this week. I think he is a dark horse and I'd like to see him continue on to the Top Keep him in shirtless vests every week. Judges: Nigel wasn't a huge fan of the routine, but he had nice things to say for the dancers, however I wouldn't go so far as to call it praise. So … now I'm worried.

Dang it. And Misty? Please go to Australia. Be a swan. Leave us and these poor dancers be. Now would be good. I'll call you a cab. That was so much nicer than, Shut up, Misty.

Although … yeah. They get Wildebeest as their choreographer. I dig this guy. I like the routine, and his moves. I hope these two exceedingly pale, young, non-street-dancing folk can do it some remote form of justice. You need to kill this. So, we start and … oh boy. Brooklyn gets, like, a body suit by UnderArmor, all sleek and cool and sporty, and seriously un-hip-hoppy. But Casey … wow. He gets the tank and the spandex leg part, which does him no favors, then all that's paired with a seriously un-sporty-looking pair of gray gym shorts like your dad might wear.

Oh … honey. I'm so sorry. So very … very sorry. Because not only would this getup get him stuffed in a school locker, but he has to wear it while attempting to look street in a down-and-dirty hip-hop routine. It's just too cruel, really. I try to get past it, try to get past it with both of them, but it's just … who dressed these two? It's like the freckle-faced kids next door trying to look all fiercely street in their adorable, We Live on the Mean Streets of Mayberry kind of way.

Not the pimp spot any of us was hoping for, least of all them. Judges: Nigel goes right for the "what are you wearing? Essentially just read what I wrote above. Times three. I'm worried for you, my darling. I'm worried for you next week. We get two mini-group routines tonight, both contemporary, with eight of our dancers giving us a Sonya Tayeh routine and the other eight get Travis Wall.

Ohhh, choreographer throwdown! You'll notice that some of the pairs are split up … others aren't. Wonder what's up with that? Sonya calls her piece The Village of Broken People.

To which I say … has she ever had a routine that wasn't named that? We continue with the "contemporary must be danced in the dreariest colors ever" rule of costuming. Added to that, the makeup department has drawn shattered-type markings on their arms, necks and faces.

Broken People. Get it? I know, so literal, Show, so literal. It's a quirky routine that at first doesn't grab me as anything particularly special, but when Tanisha breaks out with a short solo, followed by one with Emilio, it gets quirky in a way that really grabs your attention, with the way they are jerking themselves about and alternately flinging themselves to the floor.

The Bjork song actually worked perfectly with what they were doing and enhanced the emotion of it. It had my attention, anyway. Judges: See above. In other news? Tanisha is so not going home. I had to go look up who Carly was when I was looking at the eight faces in this group. So that's not good. Have you noticed that a number of the final eight girls look a lot alike? From the rehearsal footage, it seems that having one dancer jump high and land on the hands of the other seven, as well as having one dancer being caught by the other seven, was a mandatory part of the choreography.

Otherwise, crazy coincidence! Routine begins, we're all in black suits, and while a dreary color, the sharpness of the suits is a welcome lift. As is the up-tempo tune by OneRepublic. The full eight comes from the back of the stage straight on at us, and the routine never lets down from that first moment onward. Dynamic, moving, energetic, and no I See Damaged People vibe to be found anywhere. I'm a big fan! Still a lot of similar-like choreography, but the faster tempo and in-your-face emotion is far more engaging to this armchair judge.

If the other team was broken, it's possible this team was the crew who broke them. Nice way to end the night. More contemporary like that, please! Who knew Ricky had some dark Hook in him? I liked it. I liked it a lot. Judges: Glowing, glowing, more glowing. Times We have a song performance from Lucy Hale as filler, with no dance at all, so … you know, I don't get that. I mean … it's a fun and flirty little performance, but this is a dance show. So shouldn't there at least be some dancing?

Never mind. Thank you, filler people. And now … we get to end the show, as we always do, with sad news. Seems wrong somehow. But, such is the nature of competition. Who goes? Who stays? Next week, we lose FOUR.

You heard me. And after a very uneven week of performances, too. I'm afraid. Very afraid. Imagine how they feel! The best dance of the night went first, too … so thank goodness it was Ricky, you know?

OK, OK, so here we go. Nigel sticks with America's vote again this week, so the bottom two vote-getters are out. Not a shocking conclusion after tonight's program, but never fun. And now four more will go home next week. Who do you think it will be? I think Serge and Bridget are likely toast despite having two of the better routines tonight. But, honestly, other than Ricky and Rudy? I don't know that anyone is bulletproof. Jessica now gets her next new weekly partner, which will be Casey.

You recall, he of the goofy gym shorts? Between that and the Curse of Jessica, I think the poor guy is doomed.